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  • Convicted Spyware Dealer Links Greek Government to Surveillance Scandal

    Weeks after being sentenced to more than 126 years in prison for his role in a massive domestic wiretapping scandal, the founder of the commercial spyware company Intellexa has stated that his firm provides its surveillance technology exclusively to authorized government agencies.

    Tal Dilian, a former Israeli intelligence officer, made the comments in a written statement to the Greek television program “MEGA Stories.”

    Asked directly by the program whether Intellexa collaborated with state agencies or private individuals to surveil at least 87 Greek targets, Dilian distanced his company from the software’s deployment.

    “We operate strictly under European and international export regulations, providing technology exclusively to authorized governments and law enforcement agencies,” Dilian said in the statement.

    He added that Intellexa does not conduct the surveillance itself, noting that the responsibility for the lawful use of the technology “rests with the sovereign authorities that acquire and operate them.”

    Dilian’s statement immediately reignited political outrage in Athens, where opposition leaders seized on his words as proof that Prime Minister Kyriakos Mitsotakis and his administration were directly behind the surveillance.

    Nikos Androulakis, leader of the PASOK opposition party and a confirmed target of the Predator spyware, said the government’s narrative of rogue private actors operating the software has collapsed.

    “Predator and illegal surveillance were the weapons of a deep state, set up by the prime minister and the Maximos Mansion,” Androulakis said, referring to the prime minister’s office. “Half of his cabinet, the heads of the armed forces, journalists, and state officials were illegally monitored. After Dilian’s cynical admission, the prime minister cannot pretend to be ignorant and misled.”

    The Greek government swiftly rejected the accusations. Government spokesman Pavlos Marinakis dismissed Androulakis’ statements as a political distraction, pointing out that the Greek Supreme Court previously cleared state officials of criminal involvement in the scandal. He argued that the recent convictions of four private individuals proved there was no state cover-up.

    “Even a kindergarten child understands that Mr. Androulakis is using the wiretaps as an attempt to distract from the huge internal political crisis he is having,” Marinakis told the SKAI television channel.

    But other opposition figures echoed the outrage over Dilian’s admission. Sokratis Famellos, head of the Syriza party, called it a “profound institutional crisis,” stating that “Pandora’s box has been opened.” Gabriel Sakellaridis, secretary of the New Left party, added that the statement removes any doubt that the Greek government and the National Intelligence Service (EYP) were Intellexa’s clients.

    The renewed political clash traces back to the February 26 court ruling, which found that Intellexa’s Predator software was used to surveil verified victims across Greek civil society, politics, and the military.

    Dilian, Intellexa shareholder Felix Bitzios, business manager Sara Aleksandra Hamou, and supplier Giannis Lavranos each received sentences of 126 years and eight months. Under Greek law, the maximum time to be served for such misdemeanor convictions is capped at eight years. The defendants have the right to appeal.

    During that trial, Prosecutor Dimitris Pavlidis argued that the evidence presented in court warranted further investigation into potential felony charges, including espionage.

    The Intellexa consortium already faces international scrutiny. In 2024, the U.S. Treasury Department sanctioned the group for developing and distributing commercial spyware used to target Americans, including government officials and journalists.

  • Empire of Slop

    The following story is co-published with Luke Savage’s Substack.

    Take a look at the four images below and tell me what you see.

    If my life depended on it, I could not name a single one of the TV shows pictured here and, if you told me they were all taken from the same series I would believe you. The first thing that comes to mind is “Game of Thrones,” but we could just as easily be looking at one of the Peter Jackson Hobbit movies or any number of expensively produced high fantasy series that now pop up regularly on streaming services like Amazon Prime and Netflix. One imagines these shows have a feudal setting of some kind and maybe a dash of magic realism. There’s probably some violence, maybe even intense violence, but our heroes also get to enjoy a few laughs. I’d wager there’s a quest of some kind, and a bearded oaf whose deceptively grouchy manner in fact masks a more tender side that ultimately lies beneath. Does it matter? Even if you’ve never seen these shows, you almost certainly kind of have.

    I’ve incidentally been revisiting “Star Trek: The Next Generation,” an older, less expensive show light years more imaginative than most of what’s on TV today. And, perhaps because it feels particularly germane in the age of AI, I’ve found myself thinking about the Holodeck.

    The Holodeck, for the uninitiated, is a fictional device that was introduced in “TNG’s” pilot episode back in 1987. Essentially, it’s a big room inside the starship Enterprise that can create realistic 3D renderings of places and people — so realistic, in fact, that you can touch or handle things and they actually feel solid. The Holodeck characters themselves are also fully interactive, and so close to resembling actual people that they might easily be mistaken for them. In effect, it’s a virtual simulator through which basically any fantasy can be realized and explored — in some ways even more utopian as a concept than other Trek mainstays like the transporter or warp drive.

    Technobabble explanations for how it actually works aside, the Holodeck still takes some significant leaps of imagination. For one thing, it’s a finite space but generally appears limitless once the characters are actually inside (a few early episodes flirted with the idea there’s an invisible “wall” of some kind you can bump up against, but this was eventually abandoned). It’s also amusing how much the fantasies of people who supposedly live in a scientifically advanced, cosmopolitan version of the 24th century seem to revolve around things people enjoyed in the 20th: baseball, Sherlock Homes, noir detective fiction, New Orleans jazz, Westerns, Robin Hood, ’50s sports cars, etc. And, needless to say, if such technology really existed it would also inevitably be used for less PG-rated downtime than what one sees in “Star Trek.”

    Notwithstanding these caveats, the Holodeck is still an intriguing example of utopian science fiction and, like most things of its kind, clearly had as much to say about the present as it did about the future. In the fantasy life of late-20th century societies, few things loomed quite so large or seemed so compelling as the promise of virtual reality.¹ If traditional gaming allows us to experience discrete, prewritten fantasy worlds through a TV or computer screen, VR technology holds up the utopian prospect that literally any fantasy might one day be brought to life and immersively experienced at the push of a button.

    VR technology holds up the utopian prospect that literally any fantasy might one day be brought to life.

    Since the pilot episode of “Star Trek: The Next Generation,” the likes of computer-generated imagery and gaming technology have grown by leaps and bounds. VR headsets — once clunky, prohibitively expensive and available mostly as boutique objects — have become bona fide mass market products. And, thanks to huge improvements in computing hardware, they can now offer a three-dimensional gaming experience that at least graphically rivals their more conventional competitors. Much the same is true of other media (films, TV shows, etc.) too.

    Broadly speaking, our technical capacity to render fantasy entertainment on a grand scale dwarfs that of previous generations, as do the resources (financial and otherwise) available to major developers and entertainment companies. Never in the whole of human history has so much technology and capital been invested in the production of movies, games and other fantasy worlds.

    By and large, however, the result has not conformed to the expansive, utopian template reflected in something like the Holodeck. Instead, we are paradoxically living through an era where much of mass entertainment is increasingly derivative and homogenous and very little feels genuinely new.

    In the world of gaming, masterpieces like FromSoft’s Sekiro or Rockstar’s Red Dead Redemption II are the exceptions, and for every one of them there are literally dozens of games featuring gigantic open worlds with absolutely nothing inside of them. The same is arguably even truer of TV, where ballooning budgets, A-list casting and sprawling multiseason arcs are more likely to yield mediocre tedium than the unforgettable experiences once offered by prestige pioneers like “The Sopranos,” “Deadwood” and “The Wire.” More imaginative efforts like “Severance” do exist but, again, they are the exception. No doubt this partly comes down to taste, but I have watched the last three seasons of “The Wire” exactly once and still remember their various arcs and characters quite well. The first season of Prime’s “The Rings of Power,” by contrast, is the single most expensive season of television ever produced and, despite having seen it much more recently, I could not tell you a single salient fact about it with a loaded firearm pointed squarely at my head.

    Much of mass entertainment is increasingly derivative and homogenous.

    In any case, the root causes of this malaise are hardly mystical. Thanks to financialization and deregulation, mass entertainment has become intensely concentrated and monopolistic: The relatively small number of major conglomerates behind games, TV and big-budget blockbusters alike increasingly shying away from anything new and favoring instead a franchise model from which they can wring endless value from existing intellectual property without ever having to take risks or innovate. Sometimes, as is the case with Marvel or Star Wars, this is quite literally the case (and here convoluted metaverses have become the favored device). Elsewhere, as testified by the images we began with, it manifests more indirectly in a constant churn of movies and shows that recycle well-worn visual motifs and narrative formulas to such an extent that some are nearly impossible to distinguish from one another.

    Either way, the results are predictably as homogenous and derivative as the formulaic style now associated with AI, Mr Beast thumbnails and Trump-branded NFT collections: pastiches of copies of simulacra that look a thousand times more mass produced than the cultural products of the mid- or even late 20th century.

    Not unreasonably, it was once assumed that increased technological capacity would expand rather than narrow the horizons of fantasy life. Today, in place of the Holodeck, we are paradoxically swimming in slop instead.

    The post Empire of Slop appeared first on Truthdig.

  • World News in Brief: Attacks on synagogues, Syria’s continuing rights violations, shocking abuse of women during childbirth

    The first two weeks of March have seen a surge in violent attacks and acts of intimidation targeting synagogues and Jewish institutions across North America and Europe. 
  • Myanmar at a ‘crossroads’: The world must not forsake civilians there, urges UN expert

    More than five years after Myanmar’s military coup, international resolve to hold the junta accountable must not weaken, an independent human rights expert warned on Friday, as escalating violence and growing humanitarian needs push millions of civilians deeper into crisis.
  • UN chief launches major humanitarian appeal from war-torn Lebanon

    In a solidarity visit to the war-ravaged capital of Lebanon, the UN chief on Friday announced a flash humanitarian appeal of $308.3 million to support civilians there, after ongoing Israeli strikes countering rocket launches from Hezbollah left around 816,000 Lebanese internally displaced, a figure that looks set to rise.
  • Middle East war: Women in Lebanon forced to give birth on roadside

    As the UN Secretary-General touched down in Beirut on Friday in solidarity with the people of Lebanon, UN agencies highlighted the dangers for civilians and particularly pregnant women and migrant workers, amid ongoing airstrikes and rocket fire between Hezbollah fighters and Israel. 
  • German Prosecutors Target Providers of Software Used to Steal Millions in Online Trading Scams

    In a sign that prosecutors in Germany’s Bamberg region are ramping up efforts to fight cybercrime, a court has begun hearing its second case involving a person accused of providing software allegedly designed to facilitate fake investment scams.

    While legal action has most often targeted people running cyberfraud operations, Bavaria’s Bamberg Regional Court this month began another trial of someone who ran a company that allegedly enabled scammers.

    Opening arguments began on March 2 in the trial of a man identified only as “Shay B.” To protect privacy, full names are typically not disclosed to media in German trials. He is charged with four counts of commercial and organized fraud for his work as CEO of Israel-based company Airsoft from March 2015 until at least the end of June 2021.

    Shay B’s indictment alleges that as CEO of Airsoft, he “knowingly and willingly” provided the fake “brokerage all-in-one solution” software “central to the fraud” committed by criminal groups across multiple countries. By taking a cut of the scammers’ revenue, prosecutors argue, the CEO became directly complicit in their schemes.

    Shay B’s lawyers told OCCRP that the case raised fundamental legal questions about the criminal liability of software providers and “may therefore carry significant implications for the technology industry as a whole.”

    “The central question before the court is at what point, and under what legal conditions, a software provider may be held criminally liable for the misuse of its product by third parties,” his lawyers said in a written statement.

    In their opening arguments, prosecutors from Bavaria’s Central Office for Cybercrime emphasized the scope of the case by taking nearly two hours to read out a list of individual victims. Their financial losses altogether totalled more than 94 million euros (roughly $108 million).

    The Bamberg Public Prosecutor’s Office indictment, which has been acquired by OCCRP, alleges that Airsoft did more than simply provide software to scam operators, saying: “In some cases — depending on the respective authorizations — the involvement of Airsoft employees was required, which did indeed occur.”

    Airsoft was deployed across a network of fake trading platforms, including Huludox, Fibonetix, Nobeltrade, Tradecapital, and Forbslab, the indictment says. The ring leaders of those platforms were convicted by the Bamberg court in 2025 of conducting scams from call centers in several countries, including Bulgaria, Serbia, Ukraine, Georgia, Israel, and Kosovo.

    A press officer at the Bamberg court told OCCRP that Shay B has “partially admitted” the facts of the case to authorities, however “the allegation that the criminal nature of the actions was known is largely denied.”

    It is the Bamberg Regional Court’s second trial this year of a person accused of making a key contribution to fake trading platforms by providing them with ready-to-use software designed to deceive investors.

    In February, it heard a similar case against Israeli-Georgian citizen Mikheil Biniashvili. He confessed to running his own fraudulent call-center operation in Albania, but was also tried for providing scam software to criminal groups.

    According to the indictment against Biniashvili, he provided the Puma Trading System (Puma TS) software deployed by 397 different “scam brand” platforms. 

    A former member of the Milton Group fraudulent call center network, which was first exposed by OCCRP, Biniashvili was sentenced to seven years and six months in prison in a plea deal for his role in scamming victims out of approximately $150 million. 

    Biniashvili was found to be fully aware that his clients were running scams and took a direct cut of their illicit profits. Also similar to Airsoft, prosecutors described Puma TS as an “all-in-one service” for simulating non-existent trading activity on fraudulent platforms. 

    Yaniv Hanoch, a professor of decision science at the University of Wolverhampton, welcomed the trials against software providers, saying it is “a great idea to go after the [alleged] enablers.”

    “Since it is difficult to catch the actual scammers, disrupting the process is an excellent idea and sends a message to others. As there are many players in the process, anything that can put a dent in the process is welcome,” said Hanoch, who studies the growing cyberscam sector.

    Proceedings in Shay B’s case are expected to conclude this month, with a verdict soon to follow.

  • Weekly Roundup: March 13

    On Monday, we asked some of our favorite labor lawyers and scholars—Kate Andrias, Willy Forbath, Jennifer Abruzzo, Keith Bolek, Andrea Hoeschen, Darin Dalmat, and Alvin Velazquez—how might we revive a pro-labor vision of the Constitution. On Wednesday, Jeena Shah argued that Trump’s contradictory treatment of Hernández and Maduro reveals the consistency of U.S. foreign policy: the War on Drugs…

    Source

  • Piracy Giant HiAnime.to Announces Mysterious ‘Goodbye’

    Piracy Giant HiAnime.to Announces Mysterious ‘Goodbye’

    The anime industry has experienced a surge in popularity, but this growth is not limited to legal streaming platforms.

    A significant portion of the demand for anime arrives from unofficial channels, with several major pirate websites dedicated solely to anime content.

    This includes HiAnime.to, which, with an estimated 150 million+ monthly visits is one of the most trafficked websites on the Internet. However, a message now displayed across the site’s main domains suggests that may be about to change.

    “It’s time to say goodbye. And thank you for a wonderful journey with great moments,” the message reads, also shown on other official domains, such as HiAnime.me.

    HiAnime.to says Goodbye

    hianime goodbye

    The HiAnime name first appeared under its current name in March 2024, as a rebranding of the Aniwatch website, which was known as Zoro.to before that. Since then, its popularity has continued to grow. Until now.

    Fear, Uncertainty, and Doubt

    While the goodbye message seems crystal clear, the site’s official Discord server and Reddit community don’t appear convinced. While it is unclear whether the operators are moderating these communities, the mods and admins caution people not to jump to conclusions.

    “We are currently aware of the situation and are actively reviewing the matter. We are monitoring the situation and attempting to obtain further clarification as of the moment,” a status message in the Discord channel reads.

    Discord message

    discord

    At the same time, a Reddit thread urges people not to panic and stop sharing unverified information.

    Reddit thread

    reddit

    Legal Pressure

    At TorrentFreak, we can verify that the “goodbye” message posted on the official HiAnime domains reads like a shutdown notice. Time will tell whether the site will indeed remain offline. It’s also an option that it will rebrand yet again.

    HiAnime has had its fair share of legal pressure over the past two years. The MPA’s Alliance for Creativity and Entertainment has targeted the site on multiple occasions, for example.

    Earlier this month, the pressure further increased as the U.S. Trade Representative added HiAnime to its annual list of notorious piracy markets.

    USTR lists HiAnime.to

    ustr

    There is no evidence to suggest that the legal pressure has anything to do with the goodbye message on the site, but it would be a fitting explanation. If any new information comes in, we will update this article accordingly.

    From: TF, for the latest news on copyright battles, piracy and more.