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  • What Hospitals Do After Tragedy—And Police Should Too

    What Hospitals Do After Tragedy—And Police Should Too

    When the family of Jabez Chakraborty called 911 in Queens on January 26, they asked for an ambulance. Jabez, a young man who has lived with schizophrenia for many years, was in crisis. What arrived instead were police officers. Within minutes, Jabez had been shot four times in front of his family. After four surgeries to try to save his life, several days on a ventilator, and now a long road to physical recovery as he remains hospitalized, Jabez has been charged—despite the pleas and objections of Mayor Zohran Mamdani—with attempted assault for his reaction to the NYPD’s incursion into his home.

  • Mickey Tunes In: 1930 Comics and Cultural Production

    Mickey Tunes In: 1930 Comics and Cultural Production

    How Mickey’s 1930 comic strip turned borrowed hit songs into the foundation of Disney’s musical legacy.

    On January 13, 1930, Mickey Mouse began starring in daily comic strips. This new endeavor “functioned as many fans’ most readily available source of Mickey Mouse entertainment.”1 Despite being a print medium, these works heavily featured musical motifs of popular songs—a staple of his contemporary cartoons. Unlike the concurrent animated shorts, which could incorporate synchronized sound, the comic strip relied on musical shorthand: fragments of lyrics, song titles, and musical notes that invited readers to “hear” the music. These musical moments are not incidental but intentional—Mickey participates within a popular cultural soundscape.

    Early strips utilize the cultural cache of these already popular songs to reinforce Mickey’s own cultural relevance. Through subsequent references Mickey becomes associated with music that audiences recognize and consider culturally valuable. Ultimately, the Disney company utilizes this association—Mickey and music as culturally significant—to lend legitimacy to their own musical works. Through this technique the 1930 comics move from borrowing musical culture to manufacturing it.

    The first instance of Mickey Mouse referencing a song is “Singin’ in the Bathtub”, a hit song from Warner Brothers’ The Show of Shows (1929).

    March 10, 1930

    A single panel—essentially a brief throwaway—the reference establishes the musical borrowing technique that the strip would employ throughout 1930. The song he borrows is a parody of The Hollywood Revue’sSingin’ in the Rain”, thus itself working within a cultural borrowing technique.

    The borrowing strategy is repeated when Mickey and Minnie “sing” the parody’s inspiration, “Singin’ in the Rain” while camping out during a rainstorm.

    May 20, 1930

    The song’s optimistic tone mirrors the scene’s mood, and its inclusion requires no explanation for contemporary readers. The inclusion feels natural and of the moment: another instance of deft cultural association. Viewers of the time might have been reminded of the dazzling two-strip Technicolor sequence of the song in The Hollywood Revue.

    Going further back than just the prior year, Disney pulls reference to the popular 1926 song “(Looking At The World Thru) Rose Colored Glasses

    July 10, 1930

    First published in 1926, “Rose Colored Glasses” is the oldest song referenced. This distance from initial publication emphasizes durability rather than novelty suggesting cultural staying power. Mickey is aligned not merely with recent hits but with songs that have proven lasting appeal. Mickey Mouse plus familiar music equals cultural relevance. At this point, Disney has established a framework that can be leveraged.

    Throughout all of these references, Disney leans on the popularity and legitimacy of other musical works to establish the “sound” of their comic strip. Each song that Mickey references circulated as sheet music, 78rpm records, or in popular films of the time like The Hollywood Revue. These avenues established each song’s cultural value. By repeatedly placing Mickey alongside them, the strip transfers that value onto the character himself. Thus, it is significant when the appearance of Disney’s own original song, “Minnie’s Yoo Hoo,” appears in the strip.

    October 28, 1930

    First introduced in 1929’s Mickey’s Follies, “Minnie’s Yoo Hoo” utilized the new synchronized sound technology that contributed to Mickey Mouse’s popularity. In March 1930, Variety noted the song’s presence as such remarking that the “Mickey Mouse cartoons have come to the front with a theme song.” This song quickly became a marketing anthem for Mickey.


    Cover design includes a drawing of Mickey Mouse playing an upright piano on top of which sits Minnie Mouse.
    Sheet music cover of “Minnie’s Yoo Hoo”
    (source: Library of Congress)

    While the other musical numbers referenced by Mickey in the comic were also commercial properties Mickey’s presentation of them is not an attempt to sell those works. Rather, Disney and Mickey seek to benefit from their cultural value. By including “Minnie’s Yoo Hoo” in the strip it moves from a commercial song to a cultural work—referenced casually and without promotional framing. Its appearance signals that it belongs among the other recognizable tunes. As with the borrowed songs before it, sheet music and recordings were available for purchase, reinforcing its circulation beyond the page.

    Today it is easy to assume that Disney songs have always held cultural significance. Yet, the 1930 comic strips exhibit the work required to achieve the earliest efforts of this. Through casual references to culturally popular musical works of the time, the Disney company established their own songs as culturally significant. Mickey’s work as the referential intermediary gave the in-house songs credibility that has grown since. The comics remind us that cultural dominance is rarely instantaneous; it is built, quietly and cumulatively. If you want to see how this happened go and read the 1930 comics in our collections.

    1.  David Gerstein and J. B. Kaufman, Walt Disney’s Mickey Mouse: The Ultimate History, 40th Anniversary ed. (Koln: Taschen, 2020), 121. ↩
  • Cocaine Prices Fall in France Amid Surging Supply and Digital Trafficking

    French ports have moved to the “forefront of cocaine trafficking,” with supply routes evolving and production steadily increasing, the French Monitoring Centre for Drugs and Drug Addiction (OFDT) said in its latest annual report.

    In 2024, cocaine seizures in France reached a record 53.5 tonnes, with the vast majority, 41.8 tonnes, or 78 percent of the total volume, occurring at sea ports. The port of Le Havre serves as the primary gateway; in 2024 alone, authorities intercepted 14.4 tonnes at the port, nearly tripling the 5.3 tonnes seized in 2023.

    Despite the surge in drug volumes, the seizures underscore heightened “enforcement activity against cocaine trafficking,” Yasmine Salhi, an economist at the OFDT, told OCCRP. “The volumes intercepted depend in part on the intensity of controls and the operational capabilities of law enforcement agencies,” she said.

    Salhi added that while record seizures may point to a steady flow of narcotics, the trend likely reflects a combination of “strengthening interception activities and an increase in available supply.”

    Traffickers are also increasingly relying on online marketplaces and digital channels to access a wider pool of consumers, “allowing traffickers to interact more and more easily with all consumers,” according to OFDT.

    The watchdog noted that cocaine is becoming cheaper and more accessible in line with the surge in supply. Between 2023 and 2024, the wholesale price of cocaine fell 9 percent to 29,800 euro per kilogram, while the retail price per gram dropped by an “unprecedented 12 percent” to 58 euro, according to 2025 data from France’s anti-narcotics office, OFAST.

    “When supply increases —for example in the event of overproduction or easier transportation— prices tend to fall, which is currently the case for cocaine, both at the wholesale and retail levels,” Salhi explained. She cited Colombia as a producer country witnessing “increased cultivation and production.”

    Even more alarmingly, alongside the increased accessibility of the drug due to growing supply and falling prices, its potency has also increased. The monitoring authority noted that the content of the active ingredient in cocaine has risen “sharply” in recent years, with the price of the pure product having declined.

  • UK Sanctions Georgian TV Channels Over Ukraine Disinformation

    The U.K. has sanctioned two Georgian television channels, accusing them of spreading “deliberately misleading information” about Russia’s war in Ukraine.

    Tuesday’s measures against Imedi TV and PosTV were included in a wider package that targets hundreds of individuals and entities. The U.K. Foreign Office said the “landmark” package focuses on Russia’s oil exports and military suppliers, while the two Georgian broadcasters appeared in a separate sanctions notice.

    That notice accused the stations of promoting claims “that the Ukrainian Government and President Zelensky are illegitimate, Ukraine is a ‘puppet’ of the West, Ukraine is a corrupt country and that Ukraine and the West are seeking to destabilise Georgia.”

    In a statement, Imedi TV dismissed the sanctions as having “no value,” accusing authorities in London of supporting Georgia’s “criminal” previous government. It said it would continue to “serve Georgia and freedom of speech.”

    The sanctions come shortly after a change of ownership at Imedi TV. A share agreement dated January 30 shows Georgian company Prime Media Global LLC acquiring the broadcaster for a “symbolic price” of 1,000 Georgian lari (about $374).

    Among Prime Media Global’s shareholders is a local businessperson as well as Imedi TV management personnel, according to Georgian corporate records.

    Past financial statements listed Imedi TV’s previous owners as Irakli Rukhadze, Benjamin Marson, and Igor Alexeyev, partners at the private equity group Hunnewell Partners.

    Rukhadze, a U.S. citizen, previously maintained close business ties to Bidzina Ivanishvili, the billionaire founder and honorary chairman of the ruling Georgian Dream party. The U.S. sanctioned Ivanishvili in December 2024, accusing him of “undermining the democratic and Euro-Atlantic future of Georgia for the benefit of the Russian Federation.”

    Earlier this month, Rukhadze said owning Imedi TV was “not of economic interest” and “damages our main business — making investments in the Georgian economy.” He also said the channel had “avoided meddling in political processes,” and helped diminish “the danger of Georgia’s involvement in the war.”

    A spokesperson for Hunnewell Partners said that the firm “has had no involvement in the channel and has fully exited the business” since the announcement of the sale on February 6.

    Corporate records indicate that PosTV is majority-owned by Georgian MP Viktor Japaridze. Minority shares are held by the channel’s founder and host, Shalva Ramishvili.

    In February 2025, Ramishvili drew controversy after comments about Ukraine, including saying “Ukraine’s defeat is our victory,” calling Kyiv “the mother of Russian cities,” and describing President Zelensky as “a gathering of crybabies.”

    Contacted by Monitori, OCCRP’s Georgia member center, Ramishvili called the U.K. allegations “nonsense.” 

    “We truly serve Georgia, and Britain has rewarded us with these sanctions for truly serving our country’s sovereignty,” he said.

  • Rights Watchdog Sounds Alarm over Arbitrary Arrests in Iran

    Iranian authorities have arrested tens of thousands of people in what Human Rights Watch described on Tuesday as a “brutal campaign” of mass, arbitrary and violent detentions aimed at terrorizing the population since late December.

    The crackdown, carried out by the Islamic Revolutionary Guard Corps and other security bodies, amounted to a “coordinated, brutal mass clampdown to quash further dissent and conceal their atrocities,” the group said, citing videos of security forces violently arresting protesters and interviews with families of detainees and the forcibly disappeared.

    Protests erupted in Iran in late December after a sharp collapse of the national currency and surging inflation, beginning in Tehran and spreading nationwide. Authorities responded with deadly force, using live ammunition and killing at least 28 protesters and bystanders between Dec. 31 and Jan. 3, according to Amnesty International and Human Rights Watch.

    “As a whole nation remains in shock, horror, and grief, and families still search for their loved ones in the aftermath of the massacres of January 8 and 9, authorities continue to terrorize the population. Arrests continue and detainees face torture, coerced ‘confessions,’ and secret, summary, and arbitrary executions,” said Bahar Saba, a senior Iran researcher at Human Rights Watch.

    In a Jan. 26 statement, the intelligence arm of the Revolutionary Guards said at least 11,000 people had been summoned by security forces. By Feb. 17, 10,538 had been referred for prosecution and 8,843 indictments issued, according to the judiciary’s spokesman.

    The rights group said that in violation of bans on torture and guarantees of fair trials, the state broadcaster Islamic Republic of Iran Broadcasting had aired hundreds of coerced confessions by protesters, including children, noting that such statements have historically been used to justify death sentences and arbitrary executions.

    Human Rights Watch said 30 detainees — including minors — now face capital punishment, with officials seeking to sway public opinion by labeling protesters mohareb, or “waging war against God,” a charge punishable by death.

    “Systematic impunity has enabled Iranian authorities to repeatedly commit crimes under international law,” Saba said.

    Last week, a panel of experts affiliated with the United Nations urged Iranian officials to disclose the fate and whereabouts of all those detained or missing after the protests, warning that “the true scale of the violent crackdown on Iranian protesters remains impossible to determine at this point.”

    “The discrepancy between official figures and grassroots estimates only deepens the anguish of families searching for their loved ones and displays a profound disregard for human rights and accountability,” the experts said.

  • Europe Files First War Crimes Charges Four Years After Full-Scale Invasion of Ukraine

    On the fourth anniversary of Russia’s full-scale invasion of Ukraine, European prosecutors and Ukrainian officials announced the first criminal charges tied to atrocities committed during the war, saying cases have begun moving into court after years of coordinated investigations led by Eurojust.

    Authorities from Estonia, Latvia, Lithuania, Poland, Romania, Slovakia and Ukraine unveiled the charges after a joint inquiry, Eurojust said. The agency supports the work of the International Centre for the Prosecution of the Crime of Aggression against Ukraine, which is preparing groundwork for a future tribunal on aggression. 

    Evidence continues to be added to a centralized database maintained by the agency, which helps national prosecutors coordinate overlapping cases.

    Since 2022, a multinational investigative team involving Ukraine, six European Union countries, the International Criminal Court and Europol has focused on suspected core international crimes, particularly those linked to detention facilities. Their database, established in 2023, now contains roughly 10,000 files from 17 countries.

    Rights groups say accountability remains essential. Amnesty International warned that any push to trade justice for peace would be unlawful and “morally repugnant,” while the United Nations experts said the war has fueled a worsening human rights crisis, citing enforced disappearances, torture, unlawful killings and repression inside Russia and occupied territories.

    The experts also condemned Russia’s 2025 prosecution in absentia of international officials who issued arrest warrants for President Vladimir Putin as well as Russia’s children’s rights commissioner over the unlawful deportation of Ukrainian children, calling it a direct attack on international justice.

    In Kyiv, President Volodymyr Zelenskyy said the conflict had left “deep scars” on Ukrainian society, pointing to mass graves and devastation in places like Bucha, Mariupol and Irpin. 

    “We have preserved Ukraine,” he said. “And we will do everything to secure peace and justice.”

  • GPs told to guarantee same-day appointments for urgent cases

    New contract will require patients in England to be given immediate appointment if needed.
  • Report and Survive: Ukraine’s Young Journalists Investigate Through the War’s Most Brutal Winter

    For Ukraine’s investigative journalists, the fourth year of full-scale war was the grimmest yet.

    It began with a blow from abroad, when Donald Trump dismantled the United States’ foreign aid agencies in early 2025. A key source of journalism funding was effectively extinguished overnight.

    The year ended in cold and darkness, as a relentless Russian bombing campaign has laid waste to Ukraine’s energy infrastructure, robbing millions of people of heat and light in a winter harsher than many can remember. The simplest daily chores have become a struggle.

    Through it all, Ukraine’s journalists have kept publishing investigative reporting that is resonating with local leaders and capturing international attention.

    Most of these journalists are women, and almost all are young. Despite juggling small children and worrying about husbands at war, they continue to interview sources, pore over leaked documents, and sift through data. 

    “No one in Ukraine has a lot of energy,” says Anna Babinets, editor-in-chief of Slidstvo.info, a long-time OCCRP partner. “But on the other hand, because we are journalists, we can fight… The energy sometimes comes when you discover something.”

    Even before the country froze this winter, Ukrainian newsrooms have dealt with challenges few others could imagine. 

    Babinets lost more than a fifth of her staff when her male colleagues were called to the front. “We’ll wait for them after the war,” she says.

    And after journalists from RFE/RL’s investigative Ukrainian unit, Schemes, exposed a Russian effort to recruit Ukrainian teenagers for sabotage, a menacing wave of bomb threats bearing reporters’ names were sent to institutions around the country.

    Then, of course, there are the actual bombings, which come almost nightly. (The Russian kamikaze drones, a recent investigation shows, are being mass-produced using European parts). For many, the months of alerts, blasts, and all-clears have become a kind of background noise that disrupts sleep but no longer prompts regular trips to the shelter. But some are less fortunate. OCCRP’s Ukraine coordinator Elena Loginova, a seasoned investigative journalist, had the bad luck of living next to an industrial facility in Kyiv’s Shevchenkivskyi neighborhood. One morning in the summer of 2024, a series of Russian rockets exploded nearby.

    “I was just writing in some work chats, and then one goes off,” she remembers. “When one rocket lands, you’re thinking, cool, I’m alive, and off you go. But then a second one comes very quickly, and you’re like — okay, my body doesn’t like this. And then it’s five times.”

    Her sense of safety shattered, Loginova could no longer sleep at home. Night after night, she tried to sleep in a nearby parking lot that doubled as a bomb shelter. Finally, she did the only thing that worked — leaving the city for the countryside.

    Those that remain in Kyiv have found their energy and mental faculties sapped by the daily grind of trying to survive with almost no power or heating. Electricity had been rationed before, usually on a set schedule. But as the Russian attacks intensified this winter, the repair crews could no longer keep up, making the outages unpredictable and nearly constant.

    “At my apartment I have an hour-and-a-half of electricity per day,” says Yanina Kornienko, a reporter at Slidstvo.info. “It’s enough to charge my phone, to charge my power banks … But I wouldn’t say that blackouts are the worst thing. I would say that no heating is much worse.”

    “You go to a cold shelter because you want to survive, and after a night with no sleep you wake up,” she says, “You can’t make hot coffee … You can’t take a hot shower. So you just go to work as you are.”

    In the offices of the Kyiv Independent, an English-language newsroom founded just before the invasion, temperatures have plunged as low as 8 degrees Celsius.

    “You can’t work at home, because at home it’s even worse. Here at least you have a generator, more stable internet,” says Yevheniia Motorevska, who leads the publication’s war crimes investigations unit. “But in the office it’s very cold … you get there, and the first few hours you’re just trying to warm up, you talk about last night’s bombings, and then gradually you can get to work.”

    Motorevskaya also left Kyiv after several Russian strikes on her central neighborhood, and now commutes from a suburb. Others find it difficult to get to the office at all. Babinets from Slidstvo.info describes a colleague with two small children who lives on the 24th floor of an apartment building. “When there’s no electricity, the elevators don’t work. And she doesn’t have water because the pumps don’t work. Bringing the children down is nearly impossible. For her it’s really, really hard.”

    These constant challenges create a mental fatigue that makes it difficult to focus on anything else.

    “Every day, you have to make decisions about what you’re doing with your work, what you’re doing with your kids, what is the best decision for this day,” says Babinets. “It might not be the best decision in two days.”

    “Your level of concentration is totally different,” Motorevskaya says. “I see this problem in our team, in the whole outlet — massive exhaustion.”

    Amid this relentless pressure, small comforts become victories. Reached by video call in her office, Valeriya Yegoshyna, an investigative journalist at RFE/RL’s Schemes, noted wryly that she was “waiting for an Oreshnik” — a newer type of Russian ballistic missile that carries multiple warheads. But she was pleased to have been able to wash her hair that morning. “It took some strength,” she said.

    Journalists described different techniques to keep warm: Kornienko slept in her ski pants and said colleagues erected tents in their apartments. Yegoshyna said she heats a brick on her apartment’s gas stove. “ChatGPT would say that you’re not supposed to do this,” she jokes, “but I’m like, I think it would be more dangerous to live in a home where it’s nine degrees.”

    Many journalists describe finding comfort in solidarity, texting each other late into the night as they brace for Russian rockets to land. Others take antidepressants or religiously attend therapy. But sometimes none of it is enough; and the breaking point can come at unexpected moments.

    Yegoshyna recalls the first time during the war that she didn’t make it to work. “Already in a bad mood about the blackouts,” she says, she was digging through gigabytes of data from a phone belonging to a Russian general. She withstood, not for the first time, seeing photos of dead bodies and other horrors. But then she came across a video of Russian soldiers torturing a mouse.

    “They crucified it. They were laughing and giving it cigarettes and questioning it, asking where are your comrades,” she says. “I saw this video and it broke me. I started crying, maybe for the first time in a year. And I texted my editors, I can’t work tomorrow. I just can’t. And they said, why? And I was like… mouse situation.”

    To stay sane, Yegoshyna says, she needs to work — a sentiment the others echoed. The result has been an abundance of investigative stories that will form a key part of the historical record of this war. For her part, Yegoshyna recently published the investigation into the Russian general’s messages, revealing gruesome banter and evidence of possible war crimes.

    Despite the hardships, a new crop of journalists is embracing the profession. “I’m really very happy that we have so many new journalists, young ones,” says Loginova. “They could have chosen something else. They’re choosing this profession. Probably they feel that this is something important.”

    Among these young journalists is Maksym Dudchenko, a reporter with KibOrg, a distributed group of activists and journalists that came together after the 2022 invasion. He lives in Kharkiv, Ukraine’s second-largest city, with the front lines just a few dozen kilometers away. But the city has not been struck as hard as Kyiv in recent months, and he says life is “much easier” than in the capital. “They’ve even just launched 5G service,” he says.

    Still, his building in the center lost heat after a nearby heating station was “smashed to smithereens.” When the electricity went dim, Dudchenko moved in with his mother on the city’s outskirts.

    His team does sometimes feel demoralized, Dudchenko says, citing the usual complaints about electricity and internet access. But they’re making progress. Initially working as volunteers, they registered their organization last year and have received several grants, including from OCCRP. 

    Dudchenko, who has just received a Masters degree, now works at KibOrg full-time. “I like investigations,” he says, “because this is a genre where you can really do something.”

    Another, even newer outlet is the Dnipro.media, which launched in 2024. The front-line in Dnipro, Ukraine’s fourth-largest city, is not as close as in Kharkiv — but it is getting closer. 

    Anna Matviienko, the outlet’s co-founder, said she was inspired to launch it after her husband joined the armed forces. Putting aside her dreams of moving abroad, she says, “I understood that I want to stay here and do something for my country.”

    Matviienko’s passion is tracking what happens with her city’s municipal budget, which she says is the second-largest in Ukraine. After the country’s 2014 Euromaidan revolution — the change of government that triggered Russia’s initial attacks — decentralization reforms ensured more revenue stayed in cities. But only a small percentage of Dnipro’s budget is devoted to supporting the armed services, Matviienko says, a state of affairs that drove her first to activism, then to journalism.

    Investigations are only part of Dnipro.media’s work. “People aren’t interested only in investigative journalism, because they don’t understand the basics,” she says, “Our mission is to politely educate them” — through explainers, service journalism, or even nostalgia — “to ruin stereotypes about Dnipro.”

    For Matviienko, the end of support from the United States came as a powerful shock.

    “We lost all the money and we worked for free for eight months,” she says. At one point, she and her colleagues set a deadline for themselves: if they couldn’t replace the support by summer, they would shut down. They ended up surviving on several other grants, including from OCCRP.

    Her newsroom’s journalism has prompted pushback. ”We’re becoming more and more visible for our local authorities,” she says, describing an encounter when a local official slapped her in the face.

    Amid the understandable focus on Russian brutality — “It’s our duty to investigate war crimes, to try to give a chance to justice to those who suffer,” Yegoshyna says — investigations into Ukrainian corruption haven’t stopped.

    “We understand that both [war crimes and corruption investigations] are very important for winning the war,” Babinets says. “It’s very difficult because we are a democratic country fighting with an authoritarian country. In a democratic country, we should talk openly about what’s going on. … This is what we’re fighting for.”

  • Meta Employee Deleted 9TB of Torrented Files, Adult Film Producers Claim

    Meta Employee Deleted 9TB of Torrented Files, Adult Film Producers Claim

    In July 2025, adult content producers Strike 3 Holdings and Counterlife Media filed a copyright infringement lawsuit against Meta.

    The complaint accused the tech company of using adult films to assist its AI model training. Similar claims have been made by other rightsholders, including many book authors.

    This latest case, with over 350 million dollars in potential damages, specifically focuses on Meta’s BitTorrent activity that was recorded in detail through proprietary torrent tracking software. That’s no surprise, as plaintiff Strike 3 is the most active copyright litigant in the United States, known for targeting thousands of alleged BitTorrent pirates based on similar evidence.

    Meta responded in October by filing a motion to dismiss, arguing the sporadic downloads were consistent with ordinary ‘personal use’ by employees and visitors on the corporate network. It was certainly not a coordinated AI training effort, Meta countered.

    ‘Meta Employee Deleted 9TB of Torrented Files’

    The motion to dismiss remains pending and, meanwhile, the case is heating up in other areas. Last week, the parties filed their joint discovery plan, which Strike 3 used to raise a rather eye-popping allegation.

    Meta said that it prefers to delay written evidence discovery requests in this case until the court ruled on its motion to dismiss. However, Strike 3 would like to start gathering evidence right away, fearing that key data may otherwise disappear.

    Strike 3’s legal team points out that, at a February 5 hearing in the unrelated Kadrey v. Meta book-authors case, lawyers revealed that a Meta employee had recently deleted over nine terabytes of torrented files. Fearing more deletions, Strike 3 asks the court to allow discovery in the present case to begin immediately.

    “Because of the tangible risk that relevant evidence may be deleted by Meta’s employees, Plaintiffs respectfully request that they be allowed to conduct discovery immediately,” the plaintiffs write.

    Deleted?

    kadrey delete

    In the same filing, Meta’s legal team immediately tried to defuse the deletion claim. Meta says that no data was spoiled and clarified that it will preserve all evidence as it is legally obliged to do.

    “Plaintiffs mischaracterize the Kadrey record. There was no spoliation in Kadrey, which is an unrelated case, and in any event Meta has an appropriate hold in place and is abiding by its preservation obligations,” Meta writes.

    Torrent Evidence

    The discovery plan also provides the clearest picture yet of what Strike 3 actually wants to find. Among the targets is Meta’s Machine Learning Hub “ML Hub,” including downloaded digital media files, torrenting-related metadata, and labeling data for content acquired from BitTorrent.

    Strike 3 also wants logs of Meta servers communicating over “PySpark or Fairspark protocols,” suggesting it believes these tools were used to coordinate downloads across Meta’s infrastructure. Separately, the company is seeking records tying Meta’s alleged hidden “off-infra” IP addresses to Amazon Web Services instances.

    The discovery list is broad by design, and the above are just a few examples. In essence, Strike 3 wants all policies, directives, and algorithms related to torrenting. They hope that this information will help to back up their copyright infringement claims.

    Meta’s Defense & Trial Date

    While Strike 3 references thousands of downloads, Meta stresses that the complaint only mentions 157 downloads from Meta’s corporate IP addresses over seven years. They note that this is illustrative of personal use, rather than an organized data collection effort.

    Meta also explains that the alleged downloads began years before it started researching generative video AI, making a coordinated training effort even more implausible. In addition, Meta says that Strike 3 has “no facts whatsoever” linking it to the thousands of additional third-party IP addresses that are named in the complaint.

    While Meta’s motion to dismiss is still unresolved, both parties are also looking ahead. While they differ on the exact timing of various deadlines, both believe that an eventual trial can take place in the first half of 2028, if it gets to that.

    A copy of the parties’ 26(f) discovery plan, filed at the U.S. District Court for the Northern District of California, is available here (pdf). We will add a copy of the transcript as soon as we notice that it is publicly posted.

    From: TF, for the latest news on copyright battles, piracy and more.